Mapping and Simulacra explores the point of collision between the real and the fabricated, where the boundary between authentic landscape and reconstructed territory blurs, becomes parasitic, and contaminates.

By blending photographs from the tangible world with images of models crafted from salvaged materials (cardboard, fabric, bone, metal, paper, etc.), the series plays with our ability to discern truth, falsehood, and the ambiguous territory that lies between the two.

The colors of this new fictional universe, which takes shape a little more with each new image, are deliberately saturated and almost unreal. They serve as a formal thread for a journey where each image becomes an uncertain map—a simulacrum that reveals more about our relationship to the world than about the world itself.